Ian Gillan vocalist and songwriter for Deep Purple

Ian joined Deep Purple from Episode Six in 1969. His first Purple album appearance was on ‘Concerto for Group and Orchestra’ but Gillan made his greatest vocal impact on ‘In Rock’, ‘Fireball’ and ‘Machine Head’. The band’s most famous anthem ‘Smoke On The Water’ emphasises his ability to deliver a lyric with smouldering intensity and rock’n’roll exuberance.

Gillan led his own band during the late Seventies before rejoining Deep Purple for ‘Perfect Strangers’ in 1984. In 1989 he toured as Garth Rockett before releasing further solo albums including ‘Naked Thunder’ (1990), ‘Toolbox’ (1991) and Dreamcatcher (1998).

Ian is presently working on several projects, both as a writer and vocalist, with a book under construction and a new solo album taking shape.

Source : deep-purple

History of Metalcore and contemporary heavy metal

Metalcore, originally an American hybrid of thrash metal and hardcore punk, emerged as a commercial force in the mid-2000s. It was rooted in the crossover thrash style developed two decades earlier by bands such as Suicidal Tendencies, Dirty Rotten Imbeciles, and Stormtroopers of Death and remained an underground phenomenon through the 1990s. By 2004, melodic metalcore, influenced by melodic death metal, was sufficiently popular for Killswitch Engage's The End of Heartache and Shadows Fall's The War Within to debut at #21 and #20, respectively, on the Billboard album chart. Bullet for My Valentine, from Wales, broke into the top 5 in both the U.S. and British charts with Scream Aim Fire (2008). In recent years, metalcore bands have received prominent slots at Ozzfest and the Download Festival. Lamb of God, with a related blend of metal styles, hit the #2 spot on the Billboard charts in 2009 with Wrath. The success of these bands and others such as Trivium, who have released both metalcore and straight-ahead thrash albums, and Mastodon, who played in a progressive/sludge style, inspired claims of a metal revival in the United States, dubbed by some critics the "New Wave of American Heavy Metal".

The term "retro-metal" has been applied to such bands as England's The Darkness and Australia's Wolfmother. The Darkness's Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. One Way Ticket to Hell... and Back (2005) reached number 11. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin.

In continental Europe, especially Germany and Scandinavia, metal continues to be broadly popular. Well-established British acts such as Judas Priest and Iron Maiden continue to have chart success on the continent, beside a range of local groups. In Germany, Western Europe's largest music market, several continental metal bands placed multiple albums in the top 20 of the charts between 2003 and 2008, including Finnish band Children of Bodom, Norwegian act Dimmu Borgir, and Germany's Blind Guardian and Sweden's HammerFall. The Swedish act In Flames took both Come Clarity (2006) and A Sense of Purpose (2008) to the top of the Swedish charts and number 6 in Germany.

Source : wikipedia